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On the Fringes of São Paulo: Squatting (CO-PRODUCER) Doc . 35mm . Color . 84’ . 2006
About the film

On The Fringes of Sao Paulo: Squatting is an 84-minute documentary on the homeless and the squatting movements of Sao Paulo. Captured in digital video and finalized in 35mm, the film received a research budget from the Sundance Film Festival Documentary Fund in 2002.

It is the second part of a quadrilogy begun with On the Fringes of Sao Paulo: The Homeless, also a documentary on the homeless people of São Paulo, which won twenty awards in Brazil and abroad, amongst which Best Documentary at the Gramado Film Festival and at the Rio Festival. The third installment of the series will be On the Fringes of São Paulo: Garbage and will portray the life of the people who work picking paper and other recyclable materials on the capital streets. The last part of the quadrilogy will be called “À Margem do Consumo” and will focus on the consumer-driven, savage capitalism that operates in Brazil seen by the eyes of the inhabitants of the slums of Sao Paulo.

Nowadays there are many buildings in the central region of the city which are occupied. On the Fringes of Sao Paulo: Squatting shows how the Habitation Movements Union (UMM) acts in Sao Paulo, an organization that congregates various groups involved in the fight for habitation, urbanization of the slums, and the renovation of slum tenant-houses and empty buildings. They are: Slum Tenant-houses Forum, Unification of the Tenant-houses Fight (ULC), Center Habitation Movement (MMC) and the Center Homeless Movement (MSTC). We interviewed the main leaders of these movements.

On the Fringes of Sao Paulo: Squatting follows the daily routine of the occupations, the alternation on the cleaning shores, the administrative difficulties, the collective payment of water and electricity bills at the end of the month, the close neighbor relationships which allow very little privacy. Also, the insecurity and the angst of those who are aware that they are living illegally and technically, homelessly.

The documentary had as an academic consultant architect Valeria Cusinato, author of the essay “Empty constructed spaces in the central region of Sao Paulo and urban dynamics”, developed with the Civil and Urban Construction Engineering Department of the Politechnical School at USP and financed by the CNPQ.

On the Fringes of Sao Paulo: Squatting portrays the relationship between the movements, their leaders, the population as well as the rules that exist for people to be accepted into the occupations, such as forsaking alcohol and drugs, frequency and participation in assemblies and collective activities. How does orientation – political and otherwise – work at these organized occupations?

We tried to focus on the conflict between the social value of habitation and its commercial value for real estate speculation, especially in downtown Sao Paulo, which, according to geographer Milton Santos, is a region that lives in a kind of urban space schizophrenia. Street vendors fighting with regular store owners, street dwellers, banks, offices, paper pickers, public power and the historical and cultural estate - all the agents of the urban space are acting simultaniously and every habitation program with a social interest ends up confronting with all these conflicts.

 

Synopsis

A documentary about the homeless and housing movement in São Paulo. The film follows the Word of Several leaders who promote acts of occupation in the central region of São Paulo and who are doing social justice into their own hands, winning the long awaited housing for a miserable population that does not support to live in hostels and slums. On the Fringes of São Paulo: Squatting is the second documentary of a tretalogia about São Paulo started with À Margem da Imagem, about homeless people.

Director Evaldo Mocarzel

Evaldo Mocarzel was born in 1960 in Niterói, Rio de Janeiro. He is graduated in Film Studies by the University Federal Fluminense (UFF) and has worked as journalist for the newspaper O Estado de São Paulo, one of Brazil's main newspapers, for eight years. He also attended New York Film Academy. Mocarzel directed two short films, Pictures in the Park (1999) and À Margem da Imagem (2001), this one, about the life of homeless people in the city of Sao Paulo, turned  into a feature lenght film in 2003, also called À Margem da Imagem (2003). Since then, he has directed several projects: Mensageiras da Luz - Parteiras da Amazônia (short and feature, 2004) Primeiros Passos (2005), Do Luto à Luta (2005), À Margem do Concreto (2006), Jardim Ângela (2007), O Cinema dos Meus Olhos (2007), Brigada Pára-quedista (2007), Sentidos à Flor da Pele (2008), À Margem do Lixo (2008), BR-3 (2009), Quebradeiras (2009), Cinema de Guerrilha (2010), São Paulo Companhia de Dança (2010), Cuba Libre (2011), Hysteria (2012), A Última Palavra é a Penúltima (2012), Antártica (2013) and Dizer e Não Pedir Segredo (2013). 

 

Crew

Director

Evaldo Mocarzel

 

Executive Producer

Zita Carvalhosa

 

Cinematographer

Jorge Bodanzky

 

Screenwriters

Evaldo Mocarzel and Marcelo Moraes

 

Editor

Marcelo Moraes


Research Coordinator and Consultant

Cristiane Benedetto

 

Sound Editor

Miriam Biderman, Ricardo Reis, Ana Charini e Fernando Henna

 

Direct Sound

Miquéias e Megaron da Motta

 

Assistant Director

Pablo Torrecillas

 

2nd Assistant Director

Luiz Valcazaras

 

Production Manager

Afonso Coaracy

 

Production Assistant

Nádia Mangolini

 

2nd Camera

Pablo Torrecillas

 

Additional Cameras

Fabiano Pierri, Henrique Rodriguez, João Pedro Hirszman and Denis Pilão

 

Gaffer and Key Grip

Alexandre Henrique Silva

 

Still Photographer

Vidal Cavalcante

 

Post Production Supervisor

Letícia Santos

 

Folder and Poster Design

BVDA / Brasil Verde

Festivals
  • Festival Internacional de Cine Documental, Equador 2007 
  • Mostra “Brésil em mouvements”, França 2007 
  • Latin American Film Festival 2007 
  • Muestra de cine Latino americano en Barcelona 2007 
  • Bologna Human Rights Nights 2007 
  • 10º Festival de Cinema Luso-Brasileiro de Santa Maria da Feira 2006. 
  • 30º Mostra Internacional de Cinema de São Paulo 2006 
  • 13º Vitória Cine Vídeo 2006 
  • 16º Cine Ceará – Festival Ibero americano de Cinema 2006 
  • 11º Festival Internacional de Documentários 2006
  • 38° Festival de Brasília de Cinema Brasileiro 2005 - Melhor Filme Júri Popular e Melhor Edição de Som 
  • Jornada Internacional da Bahia 2006 -Prêmio OCIC/SIGNIS de Melhor Documentário
  • Festival do Rio BR 2006 - Melhor Documentário
  • Festival de Direito Humanos DerHumALC 2006 - Prêmio de Melhor Documentário 
  • Festival de Belém do Cinema Brasileiro 2006 - Melhor Documentário
  • Festival de Miami 2007 - Melhor Som


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